Opera Frontier delights both opera fans and opera-phobes. We revere opera. We faithfully excerpt from traditional scores and strive for technically excellent singing. But beyond that, we take outrageous liberties in the service of engaging our audience in unexpected ways . . . through radical changes of context and casting, through the introduction of elements from dance, popular culture, contemporary beat, and narrative. In this way, Opera Frontier redefines the way an audience experiences this glorious music.


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Opera Frontier delights both opera fans and opera-phobes. We revere opera. We faithfully excerpt from traditional scores and strive for technically excellent singing. But beyond that, we take outrageous liberties in the service of engaging our audience in unexpected ways . . . through radical changes of context and casting, through the introduction of elements from dance, popular culture, contemporary beat, and narrative. In this way, Opera Frontier redefines the way an audience experiences this glorious music.

 

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Opera Frontier's Troupe of "choreographable" classically-trained singers perform its portable revue throughout the Bay Area and Northern California. To discuss featuring OFT at your event or for more information, contact

Scout@OperaFrontier.org

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dalyte kodzis



  • featured in:

    * hard to handel
    * lammermoor inc.
    * Pop-up opera
    * bollywood lakme
    * Opera Frontier at the Palace
  • Dalyte Kodzis (Mezzo-soprano) received her Bachelor's of Music in 2006 from UC Santa Cruz. Roles at UCSC included Mustardseed in A Midsummer Night's Dream, and Mrs. Jones in Street Scene. She also has performed in musicals, such as 42nd Street, The Wiz, and The Music Man. Her rendition of Gussie Carnegie in the UCSC Theatre's production of Sondheim's Merrily We Roll Along won her critical acclaim from the Santa Cruz press. Recent operatic roles include Jadwiga in The Haunted Manor with Pocket Opera, Alla in Solidarity with Goat Hall Productions, and Leona in La Belle Helene with Pocket Opera. he participated as a soloist in Opera Frontier's performance piece, Hard to Handel.
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